A recent study published in the Journal of Archaeological Science has revealed the discovery of a new color in the chromatic repertoire of the Roman world: Pompeian Gray.
This research, the result of collaboration between the Parco Archeologico di Pompei and various Italian universities, represents a significant advancement in understanding the painting techniques used in ancient Rome.
The study was conducted by researchers from the Department of Science and Technology at the University of Sannio and the Department of Earth, Environment, and Resource Sciences at the Federico II University of Naples. Its objective was to analyze the composition of the pigments used in Pompeii from the 3rd century BCE until the eruption of Vesuvius in 79 CE.

Using a non-invasive analytical approach that combines microscopy with spectroscopy, scientists were able to identify a broad palette of colors used in Roman mural painting.
It was discovered that artists of the time mixed natural and synthetic pigments with a sophisticated technique, achieving shades previously unknown.
One of the most remarkable findings of the research was the identification of Pompeian Gray, a previously unknown color in the Roman world. This particular shade is distinguished by the presence of barite and alunite, providing the first evidence of the use of barium sulfate in ancient Mediterranean mural painting.

The mixture of these minerals gave the pigment a grayish tone with a singular chromatic depth, possibly used to enhance realism and volume in pictorial compositions.
The discovery also has key implications for the conservation of Pompeian frescoes. Gabriel Zuchtriegel, director of the Parco Archeologico di Pompei, highlighted the importance of these studies for the restoration and preservation of mural paintings, many of which are extremely fragile. It is an essential study for the conservation of frescoes, which require detailed knowledge for proper restoration, he stated.
This advancement is part of an ongoing effort to analyze and document the pigments used in Pompeii, including recent findings in the House of the Thiasos and the Dionysian Megalography recently discovered. The combination of scientific research and heritage restoration reinforces Italian excellence in the field of archaeology and historical heritage conservation.
SOURCES
Celestino Grifa, Chiara Germinario, et al., Pompeian pigments. A glimpse into ancient Roman colouring materials. Journal of Archaeological Science, Volume 177, May 2025, 106201. doi.org/10.1016/j.jas.2025.106201
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